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Now to our weekly installment of Reporting Live (old name was Live Report). By the time I saw the next artist, it was the last day of my spree to see free lives around the city during the glorious Golden Week. This artist has become prominent this year as he gained more responsibility over the creation and production of several famous girl groups’ songs. Today’s Reporting Live is how I saw the amazing Takui Nakajima and why he brought me to tears.
For those who are not familiar with Takui Nakajima or the Hello! Project fandom, don’t worry, let me give you a recap! Takui began his career in 1994 when he joined the indies visual kei band MAGGIE MAE, a name inspired from a Beatles’ song, right after he moved to Tokyo. The band stayed together until 1998 when they decided to break up. A year later, Takui debuted on the label Sony Music Records with his first name only in caps serving as his artist name. He released his first single, “Triangle”, under the label.
After the start of the millennium, Takui decided to jump labels as he went from Sony Columbia to an indies label before settling at Up Front Works. Maybe the switch to an indies label and a lesser-known one (Let’s face it, artists in Up-Front Agency at that time, who were not part of Hello! Project, were less well known) helped him more as he continued to create more of his own music and receive the freedom to experiment different musical genres. You could say a lot about his music. But for me, his music is filled of influences from the Beatles (which he is a big fan of and so am I), soft rock, hard-core rock, visual kei, blues, and beyond.
I can’t really talk much about the live event because honestly, I was late for it. My friend and I decided to eat Domino’s Japan, a rarity in my daily life because it’s sooooooo expensive here, after spending the hot Sunday morning at a zoo nearby. After finishing eating a late lunch, we realized that it was 2:40 pm. The live started at three o’clock, oh no! After casually walking to the station and riding the train, I barely made it to Sakae Station at three, a location where my friend and I decided that we would go on our own treks for the late afternoon.
It was my first time visiting Nagoya Parco’s Tower Records, so I didn’t know exactly where I had to go. See, the problem was that there were three Parco buildings. And because I decided not to pay attention to the store’s online event information, I decided to go and search for the store in the wrong building. As I reached the top, I realized my mistake and had to run down the stairs and go to the correct building. By the time I made it to the store, it was 3:18 pm! Takui already had already performed half his setlist!
When I entered, Takui was performing an amazing cover of “Back in the U.S.S.R.”. It was full of energy and so lively that most of audience were dancing and/or clapping their hands in a subtle way. Actually, the audience at this live event was the opposite of any fans at a Hello! Project event. At those events, most fans are men who are dressed in a color-coordinate style of their favorite member, armored with glowsticks, and performing their extreme fan chants throughout the songs. At Takui’s lives, the fans are mostly middle-aged women, some with babies, who are swaying to the beats, eyes beaming at him like he is some musical Jesus or something. It was complete silence, something I thought to be nice but eerie at the same time.
He sang a couple more songs. Here is the setlist, courtesy of James Yamada:
1. Tsugi no Mado wo Magare (次の角を曲がれ)
2. Donna Koto ga Atte mo (どんなことがあっても)
3. Hitori ni Narou to Shinaide (一人になろうとしないで)
4. Taiki Bansei (大器晩成)
5. Guernica (ゲルニカ) ~ BACK IN THE U.S.S.R
6. Sangousen (３号線)
7. Renga no Ie (煉瓦の家)
8. Tokyo Tower (東京タワー)
(You listen to full versions of the songs that are linked via Youtube)
I feel guilty of missing out on the first half because he performed some awesome songs like “Taiki Bansei” and “Tsugi no Mado wo Magare”. Nevertheless, the last song he performed was one of the best songs I have heard live for a long time. He started the song out with a mellow ambiance, just strumming mindlessly with only his guitar and singing the song. Half way through, he changed keys and started to sing a powerful rendition of “Stand By Me”. The way he performed with such power and emotions bought me to tears. His music moved me emotionally.
After he went back and finished “Tokyo Tower”, I wiped my tears while Takui thanked everyone for coming out. It was time to move: I had to go to a certain information desk and preorder the album in order to get an event ticket. The best thing was that it didn’t take a long time to signup for the preorder and get through the event line.
I actually went to this event for a friend because she is a huge of Takui. So, after I finished preordering, I went to the line, waiting for no less than five minutes. He was a really nice and kind person as he talked to everyone for an extended time and even saying hello to the babies and patted their arms that came up with their mothers. As I approached him, I shook his hand and told him that my friend from America said hi and that she loves him. He laughed and said “Thank you very much”. He signed a picture of himself, gave it to me, and we said our “goodbyes” and “see you next time” when I started to leave.
If you haven’t of this guy or his music, YOU SHOULD! I am not trying to yell at you or make you do it by typing everything in caps, but I strongly suggest listening to his new album. Takui is an amaaaaaaaaaazing performer who has a lot of talent that needs to be heard more through the musical world.
My friend recommend me the fast-paced, staccato-filled rock “Tsuzukerou”. It reminds me of a visual kei-type of song or something related to Tsunku.
Here is a promo for the new album: